notes

1. James Joyce, Ulysses. (A repeated phrase throughout)

2. Georg Simmel, ‘Adornment’ in David Frisby and Mike Feathersone, Simmel on Culture, Sage,
1997, 207.

3. Kaja Silverman, ‘The Language of Things’ in World Spectators, Stanford UP, 2000, 132.

4. Maurice Merleau-Ponty, ‘Eye and Mind’ in The Primacy of Perception, Northwestern UP,
1964, 163.

5. Jean-Luc Nancy, ‘The Image – The Distinct’ in The Ground of the Image, Fordham University
Press, 2005, 13.

6. Donna Haraway, ‘The Persistence of Vision’ in Nicholas Mirzoeff, The Visual Culture
Reader, Routledge, 1998, 585.

7. Peggy Phelan, ‘Broken Symmetries’ in Unmarked: the politics of performance, London and
New York, Routledge, 1993, 17.

8. Michel Foucault, Discipline and Punish, 1977, 202-3.

9. Laura Mulvey, ‘Close-ups and Commodities’ in Fetishism and Curiosity, Indiana UP, 1996,
41.

10. Maurice Merleau-Ponty, ‘Eye and Mind’ in The Primacy of Perception, Northwestern UP,
1964, 162

11. John O’Reilly, ‘Thinking With Images’ in Rick Poynor (ed), Communicate: Independent
British Graphic Design since the Sixties, Yale UP, 2004, 229.

12. Kaja Silverman, ‘The Screen’ in The Threshold of the Visible World, Routledge, 1996, 222

13. Guy Debord, The Society of the Spectacle, 1967, #9

14. Jean Baudrillard, ‘Simulacra and Simulations’ in Jean Baudrillard, Selected Writings,
Stanford University Press, 1998

15. Kaja Silverman, ‘The Screen’ in The Threshold of the Visible World, Routledge, 1996, 206

16. Donna Haraway, ‘The Persistence of Vision’ in Nicholas Mirzoeff, The Visual Culture
Reader, Routledge, 1998, 586.